Power Rangers (Film)

Alternate Titles: Saban’s Power Rangers
Genre: Young Adult Superhero / Film
Main Creative Team: Dean Israelite (director); John Gatins (screenplay); Matt Sazama (story); Burk Sharpless (story); Michele Mulroney (story); Kieran Mulroney (story)
Main Cast: Dacre Montgomery; Naomi Scott; RJ Cyler; Becky G; Ludi Lin; Bill Hader; Bryan Cranston; Elizabeth Banks
First Shown: 22nd March, 2017
Available: Cinemas

Five teenagers find coloured coins, which lead them to an alien spaceship. It turns out they’re Power Rangers and only they can save the Earth from Rita Repulsa (Elizabeth Banks).

This reboot of the franchise shows the formation of the first team of human Power Rangers. Jason (Dacre Montgomery) is the Red Ranger and the leader of the group. Kimberly (Naomi Scott) is the Pink Ranger and a former cheerleader. Billy (RJ Cyler) is the Blue Ranger and is a nerdy tech genius. Zach (Ludi Lin) is the Black Ranger and is a carer for his sick mother. Trini (Becky G) is the Yellow Ranger and a loner. They come together by being in the same place at the same time, where they find the coins that give them their powers.

Consequences are important in this story. Jason is introduced with a prank gone wrong, which leads to animal abuse and reckless driving. It’s lucky that no one dies. Kimberly has also behaved badly towards others. Initially, it looks like her former friends are being randomly mean to her, but it becomes apparent that she did something to cause that reaction. There’s no magic to put things back how they were, but it is possible to rebuild. It also shows a more grey approach to characters, where generally decent people can do awful things.

The rangers all start out as strangers to each other. There’s a lot of friendship building going on. Jason and Billy get the most development time. I also liked that Kimberly and Trini are shown hanging out, and offering each other support, after Trini’s initial distance from the group. It’s interesting to see how different friendships develop within the group.

There’s some suggestion of romance between Kimberly and Jason, but it felt natural that they’d identify with each other, given their situations. It also doesn’t go beyond a few looks and comments. There may be a kiss in the trailer, but this isn’t in the film, which is a good choice. I’m all for a bit more slow building in relationships.

I had mixed feelings about the camera angles used. There’s a lot of switching around views on things like car chases. It does create the feel of confusion, and the difficulty in staying aware of surroundings, when in such a situation. I did generally like the sets and shooting choices, but this one was a little difficult for me as someone who gets motion sickness.

There are a number of differences in the casting compared to the original series. Jason is the only remaining white character in the new team, though I’d note that he’s also the leader and the one set up as the initial character the audience meets. I realise this can come from a place of trying to get through the system, where a film with an apparent white lead is more likely to get funding, but it’d still be nice if this wasn’t needed to play the system.

In general though, the group is more diverse than the original series. The positive is that the new casting means Billy is African American, Trini is Mexican, Kimberly is South Asian and Zack is Chinese. This does broaden it out from the source material, and avoids having the Black Ranger as the black character, and the Yellow Ranger as Asian. The negative is that Trini used to be played by a Vietnamese actress, and there are no new East Asian girls in any role, so that’s an area where representation was lost. This is always a difficult issue, as the change will mean some people will see themselves who wouldn’t have before, and some won’t see themselves the way they did before. It’s a problem with media in general lacking diversity, that any such changes can have a big impact. This film is what it is in terms of who is shown, but I’d hope they’ll consider continuing to reimagine characters. I would love to see them consider an East Asian girl for the new ranger hinted for the sequel.

Billy is autistic and states directly that he’s on the spectrum. He describes himself as having a different way of thinking, rather than describing himself in negative ways. There’s a lot that I related to with Billy, from the tendency to monologue during difficult tasks, using scripts to introduce himself, and not liking to be touched. It’s also notable that he’s black, as portrayals of autistic people are often white people. This relates to wider problems, such as the underdiagnosis of black autistic people and issues faced dealing with groups like the police. It’s important for people to realise that autistic people can be anyone.

Trini is queer of some description. Zack guesses she might have girlfriend problems, based on her reaction to him assuming she has boyfriend problems. It’s uncertain exactly how she identifies, and the feeling I got was she was questioning. She’s figuring out labels, which aren’t the ones her family want for her. There are arguments both ways for having a clearer statement. On the one hand, films often avoid using the words, so it’s nice when it is made clear. On the other, this is the first section of a longer story, so it’s possible they’ll pull off questioning turning into figuring things out.

There were bits I didn’t like. The opening scenario with the prank was my least favourite part, because it felt like I was supposed to find it funny. It’s pretty hard to find something funny when it involves an unhappy animal.

Another part I wasn’t fond of was Kimberly stripping down to a bikini as Jason watches without her knowing. This is so she can swim, and if she’d later shown her awesome swimming/diving skill, it might have fit. But this isn’t shown again. I’d compare that to Trini, who is a hiker, being the first to figure how to use her powers to move quickly across terrain. There isn’t a similar swimming/diving moment with Kimberly. There could have been, given the locations used. So she appeared to be in her bikini in order to be seen by Jason.

There’s some throwing around of terms like crazy and lame, though the crazy part is more a description of the rangers rather than their opposition. Rita is mainly described as evil, rather than crazy.

The armour designs do have the thing where the girls get rounded breast plates and the boys get angular ones, though at least their armour covers them equally. The exception is Rita’s armour, as apparently the more evil a person gets, the sexier their armour and the less skin it covers.

There’s a little bit of swearing, some sexual references, and violence. It does take care to have monsters raised by Rita as the main opponents. In other words, opponents that aren’t sentient. The scariest parts are down to Rita, who threatens and murders people. That could be a little heavy for younger viewers, though most in the suggested range of tweens and up should be fine. I’m noting this because the original series was aimed a little younger, which some may not realise when deciding on this film.

I was pleased they did actually say, “It’s morphin time!” It may be a small thing, but I will never forgive Fantastic Four: Rise of the Silver Surfer for not including, “To me, my board!” Some catchphrases really need to be there.

It was a fun film. It had the colourful action expected from the franchise. The serious aspects covered a range of issues that teenagers can face, without getting too heavy. Combined with the diverse cast, it means a lot of children and teens will be able to see themselves, as well as enjoy the action. There were some scenes I didn’t like very much. There are also a few things I hope they develop in the sequels, such as Trini’s identity story, and how they cast future rangers. I will be on board to see where it goes next.

Hidden Figures (Film)

Genre: Biography / Film
Main Creative Team: Theodore Melfi (director, writer); Allison Schroeder (writer)
Main Cast: Taraji P. Henson; Octavia Spencer; Janelle Monáe; Kevin Costner; Kirsten Dunst; Jim Parsons; Glen Powell; Mahershala Ali; Aldis Hodge; Olek Krupa
First Shown: 10th December, 2016
Available: Cinemas

NASA needs to figure out how to put someone in orbit and stop being racist.

This film is based on the real stories of black women in the early days of NACA/NASA, as written about in a book by Margot Lee Shetterly. It’s a fictional version of those events, though the general core of the story is there. My focus is on the story as presented in the film, rather than a comparison to the real events.

There are three main storylines, following the paths of the three leading characters. Katherine Johnson (Taraji P. Henson) is a mathematical genius. When they need a computer for the main team, Katherine is the one who gets the job. Mary Jackson (Janelle Monáe) decides to apply for a job as an engineer. Dorothy Vaughan (Octavia Spencer) has been working as a supervisor for the colored computers department, though hasn’t been given the job officially. She also realises their days are numbered, as NASA prepares for its first mainframe.

Discrimination is shown in a variety of ways in the film, from general society things such as separate water fountains, to the working environment in NASA. Katherine faces issues as the only black woman in a department of mostly white men. Someone sets out a coffee pot marked “colored” after she uses the general shared coffee pot. There are no toilets for black people in the building, so she has to travel back to her old work place. It’s a hostile working environment, designed to make it harder for Katherine to do her job.

Dorothy and Mary don’t face issues from their direct co-workers, but hit problems when it comes to the system. Everything is designed to make it harder for them to advance, which is explained away as only being fair. Their stories highlight how systematic discrimination means that everyone doesn’t start from the same place.

I liked that it touched on the ways that marginalised people can both help and hinder each other. Karl Zielinski (Olek Krupa) uses his own experiences as a Polish Jewish man to empathise with Mary. He encourages her to apply for the engineering position. On the other side, Vivian Mitchell (Kirsten Dunst), a white woman, does not use a shared identity as a woman to empathise with the additional issues the black women face. Jim Johnson (Mahershala Ali), a black man, is initially dismissive of Katherine working at NASA on the basis of her being a woman. Sharing one marginalisation does not automatically mean understanding another. Intersectionality can be complicated.

I did raise an eyebrow at Al Harrison (Kevin Costner), Katherine’s new boss. His presentation seemed very much for the comfort of white audience members. He doesn’t hold racist or sexist attitudes: he just wants the best person for the job. He’s the one who eventually takes a sledgehammer to the signs on the colored bathrooms. He’s the person that white people can feel they would be, because they wouldn’t support segregation and they’d do something about it. However, it is notable that he doesn’t notice what’s going on until Katherine tells him. If any message should be taken from that, it’s that being anti-prejudice in personal beliefs is not enough to stop discrimination. Seeing what the system is doing to people requires paying attention and talking to those it impacts.

It’s a polished story, with decent pacing, and good performances by the actors. I liked all the casting choices, and noted that Karl was actually played by a Polish actor (this is an area where casting often falls down, as Western Europeans get cast for all European roles). I’d had concerns that it might be difficult to watch with the discrimination themes, but there are moments of triumph to break up the tough sections, and it ends on a positive note for the main characters. There is always a bittersweet element to this sort of story though. For every person who succeeds, there will be numerous people who never made it over those extra obstacles. For every person who gets the spotlight showing what they did, there are others who’ll remain obscure. I find stories like this a reminder that we still have a long way to go.

Can You Find My Robot’s Arm? – Chihiro Takeuchi

Robot CoverFirst Published: 4th July, 2017
Genre: Children’s Science Fiction / Picture Book
Available: Amazon.com | Amazon UK

Two robots search for a missing arm.

There’s nothing unexpected about the plot. The robots look for the missing arm, as well as trying out other possible alternative arms. It’s a story based on repeated actions (going to a location and trying a new arm), where the fun is seeing where they go and what they try next.

It’s set in a world populated by robots. The narrator searching for their robot’s arm is also a robot. It’s unclear if “my robot” means literally owning the robot or a family member. However, the pictures suggest it was intended in a family context. They live in a family home, search together, and one doesn’t act as though working for the other.

Some of the animals also appear to be robots or cyborgs, as they have gears inside. Others have bones and appear to be biological animals. I don’t know why the robots need a sweet shop, and other food items, but maybe some of the robots are powered by biofuel or they’re also cyborgs. These are things I would have asked about when I was five, so the biofuel/cyborg answers might be useful when reading this to a science-minded child.

The art is paper cutouts with dark shapes on a light background. Some of these scenes are very detailed, so there are a lot of little things to find. I liked the variety of places searched, including a factory and aquarium. This also means the possible alternative arms are all sorts of things, many of them very silly. The arm’s fate is shown, though not mentioned in the text.

Most of the language is easy, so it would be ideal as a book for learners to try reading themselves. It would also be a good book for reading aloud, though the story is likely to be a little too simple for older picture book readers.

[A copy of this book was received from the publisher for review purposes]

Feesh

Feesh LogoDeveloper: Terrifying Jellyfish
First Release: 2nd February, 2016
Version Played: PC (Steam)
Available: Steam

You are a microscopic feesh in a feesh-eat-feesh world.

The original version of this game was coded in two days, though the version for sale has other updates. The basic premise of the game is simple. The tiny feesh has to eat smaller feesh to grow in size, whilst avoiding being eaten by bigger feesh. Some have special skills, such as producing child feesh. Some are more aggressive than the rest, such as the sharks that will track down the player feesh.

Arcade mode is the main one I played. After reaching a certain size, the feesh evolves into a different type. My main criticism here is that this doesn’t unlock the new type permanently. I’m never going to be good enough to play through all the different creatures in one game, so it’d be nice if I could start with a later creature. That way, I’d have a chance to eventually play all the available types.

Shark attack mode has extra sharks and doesn’t last very long. I couldn’t do multiplayer as I only have one keyboard/mouse, but it’s a local versus mode. Chillout mode is like a screensaver, where all the feesh do their thing without any player control.

I liked the way the other feesh are doing the same thing as the player feesh. Sometimes one of those feesh will end up growing very large, as they successfully manage to eat loads of tiny feesh. It creates the feel of a working ecosystem, where the player is no more important than any of the other feesh. Eaten feesh respawn elsewhere, so there will always be other feesh around to continue the game.

Feesh Screenshot

Image Caption: The player feesh is in the centre. It’s a grey teardrop shape with three white eyes at the rounded end and a hexagon at the pointed end. It has two larger fins and a number of other lines sticking out of it. Several smaller black feesh surround the player fish. Two sharks are approaching from the right.

The art style is fairly minimalistic with a whimsical flair. The main feesh, and some of the others, look like microscopic creatures. Others, like the shark and crayfeesh, are based on larger fish and sea creatures. It’s not scientific, but it clearly isn’t supposed to be. You’re a feesh and the world is very silly. I’d note there are some flashes of light at times, though it’s more of a gradual increase in light rather than a strobe effect.

This is the sort of game for playing a round in odd moments. It doesn’t have a whole lot of depth, but what it does have is nicely done. It’s cute and I enjoyed the feel of the art and the funny descriptions of the feesh. It’ll be interesting to see how the developer tackles larger projects. Hopefully that sense of whimsy will be carried though.

The Gauntlet – Karuna Riazi

Gauntlet CoverFirst Published: 28th March, 2017
Genre: Middle Grade Fantasy / Novel
Available: Amazon.com | Amazon UK

Farah and her friends get caught in a magical game. They’ll have to win challenges if they want to escape.

Farah is a quiet and analytical sort of person, who comes from a family that play a lot of games. I liked that she is Bangladeshi and a practising Muslim, who wears a hijab. This is treated in a positive way. Her friends have known her for a long time, so there’s no hostility or questioning from them (there’s some from the children from Farah’s new school, but this isn’t shown in detail).

Some of the side characters are fun, such as the giant lizard, but I wasn’t really feeling Farah’s two friends. Part of the issue was the time limit on everything they did, so there wasn’t the sort of downtime where they could talk to each other. There’s an added distance because Farah hasn’t seen them for some time and doesn’t know what to say.

When it comes to the gameplay aspect of the story, the book delivers on its promise. The game world is an elaborate clockwork construction with multiple layers. The children have to play games, solve puzzles, and all the while keep an eye on the bigger stakes. Due to them looking for Farah’s younger brother, Ahmad, there’s time for exploration of some of the world’s secrets. It’s very imaginative with a steampunk vibe. Though again, there were points where things rushed by rather quickly, as the characters weren’t in some areas long enough to really get a feel for them.

My biggest issue was with Ahmad. He’s a seven-year-old with ADHD. Before ADHD is mentioned, I thought he must be dying, because the family avoids upsetting him and doesn’t set any boundaries for him. Farah is expected to go along with anything Ahmad wants. She has to play with him instead of her friends and she has to let him win every game. Ahmad has to have presents on anyone’s birthday, though still demands to open and own Farah’s presents. When she stands up to him, she knows she’ll get in trouble if he throws a tantrum, as though it’s unreasonable for Farah to want things for herself. This is blamed on ADHD, when it’s really about how the family react to Ahmad. Added to this, Ahmad’s mind is described as maze-like, as though he’s an unfathomable puzzle to be solved. I wondered if all this might be addressed later in the book, but it isn’t.

I was down with the steampunk game, the people that lived inside it, and the overall puzzle-solving plot. I liked Farah as a main character. However, Ahmad’s treatment made me uncomfortable. It also felt like the pace moved a bit too quickly in places.

[A copy of this book was received from the publisher for review purposes]