Texture Like Sun – Ils Greyhart

Texture Like Sun CoverCollection: Solitary Travelers
First Published: 21st March, 2016
Genre: Fantasy Romance / Novella
Available: Amazon.com | Amazon UK | LT3 Store

Liang is a painter who can pull colours from the world around him. Xerxes is an incubus, who visits people’s dreams to feed off their sexual energy. When Xerxes visits Liang’s dreams, he’s confused. All Liang wants to do is give him a comfy sweater.

Liang has been kept a prisoner for several years while he finishes a large commission. The early part introduces that situation, along with his gift of making paints from nature. But the painting plotline fades into the background most of the time. It’s mainly about his discussions with Xerxes, until it’s time for him to escape. I can’t say much about the setting as a result. The person hiring Liang is described as a Sheik. The guards wear veils. Liang comes from a country to the Northeast. There’s not a whole lot more depth to the setting, as it’s mostly glossed over and not described.

The potential unfortunate implications of the setup are mainly avoided. Incubi don’t aim to kill people. They visit dreams, have consensual dream sex for the energy, and the person wakes up tired the next day. So Xerxes isn’t running around mass murdering when he’s not visiting Liang. Xerxes also doesn’t try to force his interest after the initial advances are rejected. Once he decides he’s going to keep visiting, he accepts that it’s not going to be sexual as part of the deal.

Using exact labels won’t always come up in a story, but it would have been a lot less convoluted in this case. They have a discussion where Xerxes says he’s an incubus and explains it. Liang vaguely refers to people like him and explains it. Labelling the incubus and not the asexual person came across oddly.

It was a premise with potential, but I don’t think it hit it. I’d have liked the painting plot to have more development, including a little more action in the escape scene. The relationship was generally as cute as dressing an incubus in a sweater so he doesn’t get cold suggests it will be. But the initial humour of that imagery isn’t enough to carry a whole story.

[A copy of this book was received from the publisher for review purposes]

The Cybernetic Tea Shop – Meredith Katz

Cybernetic Tea Shop CoverCollection: Solitary Travelers
First Published: 14th March, 2016
Genre: Science Fiction Romance / Novella
Available: Amazon.com | Amazon UK | LT3 Store

Clara moves from place to place, with only Joanie (her Raise hummingbird) for company. Sal is a robot who runs a tea shop in memory of her owner. Then Clara pops into Sal’s place during her lunch break.

There’s some interesting worldbuilding in the story. Humanoid robots were banned from production, due to worries about them being able to learn and become full people. Instead, people have Raises – robotic animal companions who are intelligent and have personalities, but can’t learn and adapt the way a robot could. Robots like Sal are in a difficult place, where society doesn’t know quite what to do in terms of rights. Sal has outlived the company who made her, so spare parts are increasingly an issue, and her memory is failing.

The novella focuses on Clara, Sal and Joanie, giving space for their relationships to develop. I liked that Joanie really doesn’t change, because she’s not able to without being re-programmed, as a contrast to both Clara and Sal. In the case of the latter two, their first meeting isn’t perfect. Clara knows she shouldn’t treat Sal as a novelty, with all the being-an-object that implies, but does it anyway out of surprise. She also realises how hurtful that reaction would be to Sal.

They get over that initial awkwardness, and continue to get closer as Clara regularly visits the tea shop. Sometimes Clara brings Raises she’s repairing for work, and eventually Sal trusts her enough to do the needed repair work. Both have things they’re not ready to face. For Sal, it’s the obvious one of her owner’s death and continuing to run the tea shop because she always has. For Clara, her wandering is something she picked up due to growing up in a migrant worker family. They moved where the jobs were. Even though she doesn’t need to do that anymore, she moves from habit, rather than considering what she really wants.

It touches on issues of power imbalances in relationships. As much as Sal loved her owner, it doesn’t change that she was owned. Her owner’s name is coded into her, and that registration of an owner prevents her from being able to move on. Clara realises this isn’t something she should change without permission, but also that ownership is a problem. No one’s name should be in that field. As much as people may talk about belonging to each other in romances, it’s meant metaphorically, not as a literal thing that someone has no choice over.

This is an asexual romance. There’s some intimacy though cuddling, generally being close and Sal trusting Clara to work on her systems. There isn’t any sex, and the couple discuss that they’re not interested in that. It’s nice to see a focus on finding out what a partner is comfortable doing, rather than a focus on pressuring a partner to do things anyway.

What I didn’t find so believable was the social worldbuilding. Sal was several centuries old. Things might have advanced in robotics, but there weren’t really other signs that this society had gone through a few centuries. Things like gender roles and fashion were stuck much as they are today. I’d also have expected more impact from people having Raises, as social spaces would need a redesign to accommodate many people having a robotic pet.

[A copy of this book was received from the publisher for review purposes]

Dust on the Wing – Parker Foye

Dust on the Wing CoverCollection: Solitary Travelers
First Published: 14th March, 2016
Genre: Science Fiction Romance / Novella
Available: Amazon.com | Amazon UK | LT3 Store

This book is part of a collection of novellas called “Solitary Travelers”. I was interested because they’re asexual romances and/or aromantic relationships. This particular title does have some sexual content.

I found this book difficult to read. Tam is asexual and is being pressured by his partner to do more than he’s comfortable doing. It paints an unhealthy relationship, as Tam feels pressured, and his partner feels like he’s being denied something. It also doesn’t feel like there’s much emotional connection between the characters. It’s about power, with Tam having to constantly be on his guard to avoid being forced into situations he doesn’t want. This wasn’t just my feeling about it, as the book later confirms that the partner is basically interested in Tam being physically attractive, and Tam has to move quickly to “escape the promises his body made”.

It was a relief that the opening is the last time they see each other. Most of it is about transporting a young woman to another planet. There wasn’t a whole lot of character interaction, as Tam doesn’t want to speak to anyone. I’d hoped for a bit more of a friendship between them, but they never really break through Tam’s dislike of being around people.

My expectation for the book was a feel-good story with a happy ending. If the book had only been the transportation part, it would have succeeded at that. Not in a perfect way, as it was a little prone to infodumps at the start, and could do with more development of the character relationships. But it would have passed the time. Unfortunately, the romance was not a happily-ever-after situation. It reinforced some of the negative things asexuals face in relationships with sexual people (you’re tempting people if you’re pretty and you’re denying things to people that are rightfully theirs). I wanted them to break up, and it left me feeling uncomfortable with the book as a whole.

[A copy of this book was received from the publisher for review purposes]