Reviews

My reviews of books, games and other things.

Palia (Closed Beta)

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Palia in white fancy text with beta below. The background is a green natural landscape with deerlike animals drinking from a river.Developer: Singularity 6
First Release: 2023 (Beta)
Version Played: PC Closed Beta

Humans disappeared from Palia long ago, leaving behind their ruins and the mystery about what happened. You’re a human and suddenly appear at the ruins. Time to meet the locals.

Palia is a cozy MMO with a focus on things like crafting and exploring, rather than combat. There are bows and animal hunting, but that’s as combat-oriented as it gets. Player characters don’t have hit points and simply respawn if they jump into dangerous places (like deep water).

The closed beta has two main areas and also the player housing (everyone has their own instance of the housing plot). I got lucky with closed beta access, so these are my thoughts on that.

It all starts with character creation. There are two body types (A and B) which have a set of faces linked to that body. Everything else can be used on either body. That means any voice, hairstyle, clothing or makeup. The basic selection has options for different races, including being able to have a hijab for those who want to cover their hair.

Though the body types aren’t assigned a gender, and being able to put any of the stuff on them is great, they are still rather binary in their overall shape choices. I would like a few more bodies to choose from. Or the option to choose between flat chest or breasts on the current bodies. Given the range of body types in the NPCs, I wouldn’t be surprised if this happens at some point.

Character creator screenshot

Image Caption: The character creator for Palia has a starry background with the interface on top. A range of hairstyles are shown, including straight and curly hair, braids, locs, and a hijab. A colour selector has a mixture of natural shades and other colours. The character is on the left, showing the selected wavy curls hairstyle.

The way the skills are handled in the game works well. These skills are things like growing crops, fishing, bug catching, hunting, mining, chopping down trees and furniture making. What’s nice here is that very little grinding is required. Once I had a feel for where to get all the materials, I’d wander around collecting whatever was around. A bug here, a tree there, maybe some mining.

Housing is introduced very early, so I quickly started on growing some crops and setting up crafting stations. This housing area starts with some harvestable resources (trees, rocks and mushrooms) and has a private pond for some fishing. The full buildable space needs to be unlocked during play, but it’s a good size that’s clearly intended for an endgame of decorating the whole thing.

Star quality (literally marked with a star in inventory) bugs and fish can be placed as pets, so my endgame will involve whole rooms full of pets, as that’s just how I roll.

House plot screenshot

Image Caption: My character stands on the housing plot at night. The character has brown skin, black and purple curly hair, and purple clothing with a leaf pattern. A small building, fenced area with crops, windmill, work stations and two cuddling plushies, can be seen. The game interface is shown, with an inventory bar, compass, quest objectives and focus bar.

I appreciated little things, like crops not dying if they run out of water (they simply pause growth) and decor not taking up any storage space. If multiple players hit the same harvestable resource, everyone gets the full loot. These design choices help to make things more relaxed.

I also enjoyed the story so far. Humans appear with only the memory of a starry void and a reassuring voice (this is the setting of the character creator). Some quests are about visiting ruins, with a focus on exploring and solving puzzles. There’s obviously more going on here about what happened to humans and how it’s connected to the flow (a form of magical energy).

Exploring screenshot

Image Caption: My character is in a derelict tower with holes in the wooden floor and ivy growing on the walls. A lantern and plushie are on the floor. The toy is a cute animal cuddling a mushroom. I want that toy.

The NPCs have lives and wander around (press m for the map to see where they are currently). Every NPC has a friendship quest line and some also have a romance quest line. These quests provide more information on the various characters and the world. Only thing I’d say here is the NPCs are purple elf people, anthro cats and robots. It’s a pity that players have to be human and can’t unlock any of those appearance options.

It’s a multiplayer game, but the current system isn’t good for people who want to directly play together. For those who try teaming up, it’s tricky to get on the same server/instance. Groups find they get split up if they change to a new area.

This means that though other players are around, it’s mostly a game for parallel play: most people play alone near each other, rather than with each other. Some resources actively need many people, such as cutting down the flow trees, but this tends to happen in an impromptu way. There isn’t a reason for the gang to stay together once it’s done.

Flow tree screenshot

Image Caption: Multiple characters swing axes at a purple glowing tree. The tree’s health bar shows it’s taking damage.

Housing could have some potential future issues, as access is restricted. Friends can visit, but particularly as the game ages, people will want to show strangers their awesome decorations. I hope that something like the Animal Crossing dream codes might be introduced for that.

The controls are usable, but more the sort of thing I associate with console games that have been moved to the PC. The mouse controls the camera and the keys control movement. There aren’t options to lock the camera behind the avatar or to turn left/right (the camera has to be pointed in the direction of travel).

Options include things to reduce motion sickness. Most game information is text, but it would have been good to have subtitles on the speech in the character creator and the intro/exit speech of the NPCs. An option to click to start/click to stop would be nice for skills, rather than having to hold the mouse button. I can cope now, but holding down buttons was very painful at the height of my arthritis, so this will be a challenge for some gamers.

In very important news, you can pet the dog. It’s an option that comes up sometimes when you’re talking to him, though there isn’t an animation that goes with it.

The game succeeds at being cozy. The current content is a solid foundation with room to expand. It may not appeal to people who want a team game and some of the controls are not the best. In the end though, it’s free and I’m finding it fun, so I’m here to stay for a bit. I’ve got carrots to harvest.

(Shameless plug: Everyone gets a refer-a-friend link, which earns special items in the game. Here’s mine if anyone wants to sign up an account. Open beta started on 10th August 2023, so anyone can sign up now. I’m not being paid for this, I just want the cute fountain: Palia Account Signup)

Giant Spider & Me #1 – Kikori Morino

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Giant Spider CoverFull Title: Giant Spider & Me: A Post-Apocalyptic Tale Vol. 1
Series: Giant Spider & Me, #1
First Published: February, 2018
Genre: Young Adult Fantasy / Manga
Contributors: Kikori Morino (author, illustrator); Adrienne Beck (translator); Ysabet Reinhardt MacFarlane (adaptation); Jennifer Skarupa (lettering, retouch); Nicky Lim (cover designer)
Available: Amazon.com | Amazon UK

Nagi is a twelve-year-old girl living alone on a mountain. Asa is a giant spider. They meet and spend their days cooking and getting to know each other.

This is the first book in a manga trilogy. The interior is black and white, with a colour cover and title page. Though it’s a post-apocalyptic setting, this is one where nature has taken over rather than being destroyed. Lush vegetation has covered the remains of the old world. That feel is enhanced by the watercolour artwork.

There is a slice-of-life focus to the main story, with activities such as cooking, harvesting food and caring for the house. There is some threat from humans and a brief fight scene with a wild dog, though none of this is graphic and issues are quickly resolved (apart from the cliffhanger at the end of the book, though that is quickly resolved in the next book).

Initially, Nagi sees Asa as a human replacement, but soon realises that Asa is their own thing and can’t be expected to fit human expectations. This is shown in direct ways, such as Nagi considering that she needs to learn about what it means to be Asa. It’s also shown indirectly, such as referring to Asa with gender-neutral they, rather than trying to make the spider fit a human gender role.

Asa isn’t like a typical spider in some ways, as they have teeth and chew food to eat. They use two tentacle-like appendages to manipulate things. They also understand basic instructions. It’s uncertain where Asa comes from, but the leaves growing on them makes them seem very much part of the post-apocalyptic world.

Cooking is a big part of the book. Each chapter has a recipe, which Nagi shows in detail (with help from Asa). The ingredients are summarised at the end of the recipe. I chose the first recipe to try, which was chewy pumpkin dumplings.

Pumpkin Dumplings

Image Caption: Four pumpkin dumplings on a white plate with a purple cloth underneath. The dumplings have an outer wrapping of dough, which is light brown from frying. They’re flattened and roundish in shape, with dough folds visible on the top.

In general, I felt the instructions were easy to follow, though it did help to write them out rather than trying to use the original book. Later recipes have fewer timings included compared to the first one, so some cooking experience is helpful.

The choices in the recipe helped bring out the flavour. It was a good idea to steam the pumpkin initially and using sesame oil to fry the dumplings gave extra flavour to the dough. However, there weren’t any extra seasonings in the filling, so I did change things a bit. I split the filling in half and kept half plain (like the original recipe) and added ginger to the other half. Then I fed them to my family.

Unfortunately, sweet pumpkin just wasn’t really our thing, even with added ginger. I did have fun trying it and it’s clearly a recipe written from experience. It’s really just down to personal food tastes.

I enjoyed this book. It’s quiet and gentle. It focuses on food and friendship. Asa the spider is adorable, giant teeth and all. This was exactly what I needed, so I’m glad I read it.

Malala’s Magic Pencil – Malala Yousafzai (author), Kerascoët (illustrator)

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Malala's Magic Pencil CoverFirst Published: 17th October, 2017
Genre: Children’s Memoir / Picture Book
Available: Amazon.com | Amazon UK

Malala has a comfortable life playing with her brothers and going to school, until the Taliban takes over her town.

This is not the story of a girl and her magic pencil. It’s the true story of Malala Yousafzai for younger readers. I do have some doubts about this title choice, as the context is not necessarily going to be clear for children picking this up. An adult will hopefully recognise the name and realise what it’s about.

The focus is on Malala wishing she has a magic pencil to change the world, then slowly coming to realise that she could do a similar thing through her writing. I did like the way this storyline tied together, as it makes it relatable for a younger audience. It does also highlight how reading and writing can be used in a practical way, which reluctant readers can sometimes find difficult to see.

The pictures are fairly realistic watercolour paintings with black ink outlines. The details help to make the settings clear. There are also swirly patterns in places, examples of which can be seen on the cover, which invoke a sense of imagination and creativity.

There are obviously violent aspects to the story, as Malala’s town was taken over by the Taliban and she was shot. This is handled in an age-appropriate way. There are some images with men carrying guns and it’s clear people are scared, but there are no scenes showing the guns in use. The attack on Malala is very glossed over. It cuts from saying they want to stop her to her looking out of a window with a hospital bracelet on. I do think this image could have been clearer about being a hospital, as the small details would be easy to miss, particularly if the reader hasn’t stayed in a hospital before. It wouldn’t have needed to show all the gory details of the attack to do that.

The text is better suited to older picture book readers. There are some longer paragraphs and pages with multiple paragraphs. There is also a lot to take in, even in this simplified form. That said, I think the framing of the story does make it understandable for the intended age range. It’s a difficult story to simplify and it mostly succeeds in that.

[A copy of this book was received from the publisher for review purposes]

All the Stars Left Behind – Ashley Graham

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Stars CoverFirst Published: 6th June, 2017
Genre: Young Adult Science Fiction / Novel
Available: Amazon.com | Amazon UK

Leda moves to Norway after her father’s death. Roar is an alien looking for a weapon to stop the destruction of his world.

Aliens in this setting are basically human. There’s a reference to humans being “almost another species” compared to Aurelites (Roar’s people). So there are differences, but they’re not that huge. The only oddity is blood colour changes depending on where someone is born. It’s probably best not to worry about the science of that too closely.

The early part of the novel had some odd jumps and inconsistencies. My guess would be there were some heavy cuts in the beginning during editing and the rest wasn’t changed to match up, but it means it’s a little confusing at times. Things settle out when the space elements gets going.

The book has instalove, which is not really my thing. I did like that Leda and Roar have to consider life beyond instalove. I wasn’t so fond of the idea that sex is mandatory for relationships (this comes mainly from Leda). I also don’t like over-protective and controlling behaviour from love interests. Roar does this less often than some, but he still ends up climbing into her bed and hugging her without asking, not letting goes when she struggles, and it’s fine because that’s what she wants after all. This is scary, not romantic.

There’s a fair bit of representation in this book, but some of it is rocky. Early on, there’s a microaggression about a woman having shoulders that are too broad for a woman, which sets the tone. There are a lot of little things and some big things. I’ll discuss a few of them, but it’s not a complete list.

Leda has spina bifida and uses crutches. The good sides are that she isn’t magically cured when the alien stuff gets going and she can’t suddenly run around without crutches when the plot demands it. There is also a mention of having limited energy, such as walking without crutches for a short distance making it hard to walk at all. However, I wasn’t fond of her constant self-hatred. She’s internalised a lot ableism, which may well be realistic, but it is somewhat constant during the story. She wants people to see past her disability, as though it’s a negative thing that overlays the real person inside.

Leda appears to be non-white. She’s described as having light brown skin and black hair. Roar considers that she looks “Spanish-meets-Arabic”. So she’s likely someone who has ancestry that is not clear. I didn’t like that Roar considers her “beautiful in an exotic kind of way”. This is not a compliment. Worded another way, this is saying she’s pretty for someone of her race, not properly pretty like all the pale blondes.

Roar’s friend Petrus is mute and uses sign language. Both norsk tegnspråk and Aurelis’s sign language. It’s unclear how he became mute, though it’s implied that he hasn’t always been.

One of the characters is a trans boy. The reveal was through misgendering and deadnaming the character, which is repeated several times. Also, it avoided any issues that would be specific to Aurelites. Namely that males have living tattoos that develop at birth. There is a brief mention of the trans boy having tattoos, but it’s something I’d have expected to be much more of a big deal in this context.

Some of the supporting characters are either gay or bi/pan. There’s not a lot to say on that, as not a lot happened, but they’re there.

The central issue is that this book copies some tropes that are popular in mainstream books, without critically looking at those tropes. It’s great to have a more diverse cast, but not so great to copy harmful tropes relating to that diverse cast. It’s painful because a lot of these things were on the surface. They could have been sorted without changing the main plot. It did feel like the author was trying, but wasn’t able to get there.

All this aside, I thought the book was reasonable. It passed the time and there were some bits I liked. The concept of aliens hiding out in a remote part of Norway was an interesting idea. The space conflicts make it clear that there’s more going on. There’s the potential for a series tackling some colonial political issues. Note that the book does have an ending, but it’s written as though it is the first in a series rather than a true standalone.

Fillius Glint – Ditrie Marie Bowie

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Fillius Glint CoverFirst Published: 31st January, 2017
Genre: Science Fantasy / Novel
Available: Amazon.com | Amazon UK

A universe is attacked by hackers who want to destroy it. Meanwhile in the universe, three people find some magical colouring pencils.

There are four viewpoint characters and a frame story. The frame is a family where the children are growing universes. When hackers attack the home network, Nancy loses most of her universes. The one that remains is where most of the story takes place.

Fillius has quite a bit of viewpoint time, showing the lead up to the main story events. He was raised in the gender-neutral religion of Zorda. Everyone uses Spivak pronouns, which is briefly explained at the start of the book. People with breasts bind them. The aim is to be as genderless as possible, in honour of the deity. I had issues believing all this, because the Zords are very binary for a gender-neutral cultural group. When they do gendered things, it is based on where they would be assigned in a binary society. So if they would be assigned female at birth, they might wear a dress or makeup. They also have names to indicate that, just with a letter cut off the end, rather than using truly gender-neutral naming conventions (Clar/Clara, Nor/Nora, Belind/Belinda).

On my first read, it gave the impression that being non-binary was a sham and that no one was really non-binary. On a second read, I can see it might be intended to show Fillius’s issues. He decides he’s a man based on his genitals. He starts misgendering other Zords. Everything he sees is filtered through this perspective. It’s also possible the names are due to more recent converts altering their names. However, this is the first introduction to anyone non-binary in the book, and the only time the Zords are shown living in a community, so I remained uncomfortable with it even after seeing it in the context of the full story.

Fortunately, the other viewpoint characters are more interesting and don’t fall into this as much. Their story happens in the present in the universe, as each of them picks up a magic crayon.

Luiz is recovering from breaking up with his girlfriend by taking a lot of drugs. He’s also in trouble with a business associate. I liked that his story deals with issues facing people of ethnic minorities in a majority culture.

Calliya is a shaman who lives alone in the forest and has control over elements. This introduces another religion and culture. I also liked how it highlights the ridiculousness of some of the worldbuilding, such as the trees with tacos growing on them. I could imagine a child growing a universe like this.

Nor is a Zord living outside of a Zord community. Unlike the Zords in Fillius’s sections, it’s clear Nor really is non-binary. Ey faces issues like gendered changing rooms. Ey competes in a sport that splits people by weight class, rather than gender, to avoid some of those issues. Nor is very honest and open, to the point that when things get weird, ey just tells eir coach plainly what’s going on, magic crayons and all. There is some misgendering of Nor by the others initially, particularly from Luiz, but this is something that self-corrects. It’s rare to have characters get it wrong, realise they were wrong, and start getting it right, without being told to do that.

Once I got past Fillius’s initial sections, I did enjoy the book overall. The setup and plot are unique. The protagonists contrasted well with each other. It presents a world that’s fanciful, yet also complicated in a realistic way, with different cultures and how they interact. The main weakness was the Zords, because outside of Nor, it didn’t hold together for me as a gender-neutral society.

[A copy of this book was received from the author for review purposes]