Pantomime – Laura Lam

Pantomime CoverSeries: Micah Grey, #1
First Published: 5th February, 2013
Genre: Young Adult Fantasy / Novel
Available: Amazon.com | Amazon UK

Gene is the daughter of a noble family who has a secret. Micah is a runaway who joins the circus. They’re both the same person, because Gene/Micah is intersex.

There are two timelines in the book. Gene’s starts in the events leading to her running away. Micah’s starts when he visits the circus, and eventually ends up getting a job as a trainee aerialist. Often in stories like this, it’s apparent which name and pronouns are the preferred ones of the person. It isn’t in this case. Both Gene and Micah are identities put on for necessity, and neither is the whole truth. There’s a strong theme of working out how gender roles and sexuality apply. I liked that Micah’s journey was handled as something that wasn’t clear cut and that varied over time, as things like gender and sexuality are not necessarily things that are obvious and set in stone for all people. It did tend to stray into “both male and female” territory, but Micah’s society doesn’t really have a concept of non-binary anything, so it did fit as the best Micah had to describe himself. It reminded me of the ways I’d try to describe myself when I was younger.

The plot was engaging and I enjoyed reading about the circus community. The pacing was mostly there, though I did drift when the pantomime performance began. It’s difficult to make a stage play work in novel format, and I don’t feel this really did it, but it was a short part of the book.

I also liked the world. It’s relatively low tech, but there are devices left from the civilisation of the past. No one knows how they work, so once they run out of power, they can no longer be used. This also links in to a past of other species and human hybrids of various kinds. I had reservations about exactly how this was applied to Micah, but the general idea was good.

There were some areas where it didn’t work for me. A big one is Micah’s presentation as an intersex person. He runs away to avoid invasive surgery designed to make him conform to a binary sex. Micah’s problems are shown sympathetically and it’s clear that forced surgery is not the right choice. The nature of the story means that Micah manages to escape and decide what he wants, which is a positive message. The broad idea wasn’t a bad one, and does cover issues that intersex people can face. But I wasn’t too comfortable with the rest.

I haven’t found many intersex characters in speculative fiction, but where I have, they’re usually a reimagining of what humans would be like if one person could perform all reproductive processes. Technically, this is a form of ovotestes, but this isn’t how it usually looks in real life. Ovotestes doesn’t dictate a certain appearance and doesn’t mean a person can perform all reproductive processes. On the contrary, this would be extremely rare in a human. Speculative fiction usually gets around this with a handwave of magic or genetic engineering. I’m not saying this type of character should never be written, but it does seem like it’s written so often that it becomes the one true representation.

Micah is very much a fantasy intersex character. He belongs to a magical species where everyone is like Micah. This means he is not human and he is not an intersex member of his species. I’ve kept the label, and discussed Micah as belonging to that label, because it’s how he’s usually categorised in book discussions. I also think the character would be of interest to people wanting to look at intersex characters. But it’s not what I was hoping for when I read the book.

There’s an uncomfortable focus on Micah’s body. People would just happen to feel Micah’s genitals or he’d show them to people rather than explaining (and it certainly wasn’t a culture where nakedness among friends would be viewed as commonplace). It felt rather like Micah was on display to the reader. I’d also note that Micah’s concerns for being rejected due to his body don’t extend to empathy for others. Micah is rather negative about the appearance of the woman with a moustache, for example.

The choice of which circus members would be major supporting characters also didn’t sit well. The freakshow characters are there so Micah could feel bad about showing people as freaks, but they didn’t get character development. Tauro in particular stood out to me, because as well as looking a bit like a minotaur, he appears to have a developmental disability of some sort. The acrobats are non-white and don’t speak the same language as Micah, which means they’re not included in anything. The first time they appear, their movements are likened to wolves, which further removes them from being referred to as human.

The people who get the most development are white, with one of Micah’s potential love interests also being from a wealthy background. So there’s a lot of background diversity, but it only tends to come into the foreground when it’s about being QUILTBAG.

Despite all this, I generally enjoyed the book, and thought it had an interesting world and accessible writing style. It’s also still somewhat rare to have a bisexual lead or to look at gender outside of a binary framework. But it didn’t really fit what I was hoping for when it came to having an intersex character, and I wish some of the background characters had been a little less in the background. Note that there are some sexual assault themes, including an implied rape in someone’s backstory, as well as general violence.

Love Beyond Body, Space, and Time – Hope Nicholson (editor)

Anthology CoverFirst Published: 24th August, 2016
Genre: Speculative Fiction / Short Story Anthology
Authors: Grace L. Dillon; Niigaanwewidam James Sinclair; Richard Van Camp; Cherie Dimaline; David A. Robertson; Daniel Heath Justice; Darcie Little Badger; Gwen Benaway; Mari Kurisato; Nathan Adler; Cleo Keahna
Available: Amazon.com | Amazon UK

This anthology focuses on Native American two-spirit and QUILTBAG stories. All authors are Native, but not all of them are QUILTBAG. It opens with an introduction from the editor, followed by two pieces that introduce the theme and a little bit about the history of two-spirit people. There are eight stories and one poem, so it’s a relatively short anthology.

There are a number of reoccurring themes. Nations sending out colonists into space is one, and is handled differently in each story that raises it. Another is what makes someone a member of a tribe. “Valediction at the Star View Motel ” (Nathan Adler) has a white girl who was adopted as a child, and “Imposter Syndrome” (Mari Kurisato) is about a non-human trying to get on a colony ship. Both stories share a similar theme, of the tribe viewing a person as a member for being part of the community, and the outside not wanting to acknowledge that. I also liked that “Imposter Syndrome” has an asexual aromantic character. It’s clear this is not because she’s non-human, as another non-human wants a relationship.

A number of the stories are romances. “Né łe!” (Darcie Little Badger) was my favourite of these, as it was about slowly getting to know someone, rather than love at first sight. The concept of transporting pet dogs for wealthy colonists was also fun. A more serious note to the story is about sovereignty, and the contrast between tribes when it comes to being able to maintain it. The Navajo Nation has its own space colony. Whereas the protagonist is Lipan Apache, and her family is forced to leave their farm, with no new home in the stars.

I liked the focus on a parent and child relationship in “Legends Are Made, Not Born” (Cherie Dimaline). Auntie Dave is raising the protagonist, which includes training in two-spirit community responsibilities. It shows ties between two-spirit people outside of sexual relationships, which really shouldn’t be as rare as it is in stories.

Though there are a lot of positive things, I didn’t like “Aliens” (Richard Van Camp). Unfortunately, this was the first story, so wasn’t a good start to the anthology for me. I did like how it was told as people verbally tell stories, but I had some concerns when it was suggested that Jimmy being a gentle person who wasn’t having relationships would mean his life was forgettable. As though it’s not a proper life without sexual relationships. And then once he does have a relationship, the shift is to making fun of his genitals. It’s implied he’s intersex, though even if that wasn’t the specific identity intended, he’s still going to be in one of the groups that frequently gets reduced to being a set of genitals. Those jokes do not feel like jokes to the person constantly on the receiving end of them. Had the story been told from Jimmy’s perspective, and not treated like it was funny, I might have reacted differently. But it was from the perspective of the people doing the laughing. It was presented as a warm and positive thing. Fortunately, it’s the only story in the anthology that isn’t from the perspective of a two-spirit person.

There is some representation across the QUILTBAG, though it’s stronger on LGT than the rest. Lesbians are particularly well represented. Others are less so. I do wish the one possible intersex character had not been handled that way. The binary-gendered language of some of the stories also stood out. This is talking about both genders, rather than all genders. It’s having male roles and female roles, but no room for other roles. Which is an odd choice when the focus is on two-spirit people.

Note that some stories contain descriptions of rape and assault (particularly “Imposter Syndrome”). The term halfbreed is used in a few stories. It’s in a reclaiming context, rather than being used as an insult, but still something mixed race people might want to know is coming in advance.

It’s generally a strong anthology, with a range of approaches to speculative fiction. There are stories where the speculative elements are very light, space adventures, and fantasy. It has cultural representations that do not fall into stereotypes and othering. The QUILTBAG content was mostly good, but there were areas where it was spotty.

[A copy of this book was received from the publisher for review purposes]