The Foxfire Lights – Elizabeth O’Connell

Foxfire Lights CoverSeries: Hal Bishop Mysteries, #2
First Published: 26th August, 2016
Genre: Historical Fantasy / Novel
Available: Amazon.com | Amazon UK

Jem and his brother Hal are called to break another curse. Lord Ransom’s youngest child is sick under strange circumstances.

The setup for this book is very similar to the first in the series. A child is cursed due to events in the family’s past. Jem and Hal have to uncover those events to understand the curse. It’s based on making deals with spirits, which is resolved in a similar way. It also repeats a fair bit of character development, as Hal goes back to not wanting to share his thoughts with Jem. This means there isn’t really any progress on the overall series story of figuring out what happened to Jem and Hal’s father.

There are some areas of improvement. In the first book, only magical disabilities were shown. In this, there is some sickness due to magic, but there’s also a disabled supporting character. Matthew, one of the sons of Lord Ransom, was born with a back injury and is non-neurotypical. There’s the suggestion that he doesn’t feel empathy (rather than just not showing empathy). It’s made very clear this isn’t magical, and a positive future is suggested for him.

Isabella, Lord Ransom’s wife, is from Argentina. She’s not particularly fleshed out as a character. I’d have liked more of her story, even if it wasn’t directly related to the local events.

A character is blinded in one eye towards the end, though it’s late enough that there’s not a lot to say about it in this book.

It isn’t a bad book and will appeal to people who enjoyed the first book. A lot of the things that stood out in the first are apparent here. The world is one where industrial magic is common. The curse breaking provides opportunities for interesting investigations. There’s folklore woven into the narrative. It just feels like it repeats too much from the first book, rather than building on that foundation.

[A copy of this book was received from the author for review purposes]

Chameleon Moon – RoAnna Sylver

Series: Chameleon Moon, #1
First Published: 1st October, 2014
Genre: Superhero / Novel
Available: Amazon.com | Amazon UK

People with superpowers are kept in quarantine in the city of Parole. When an assassination goes wrong, Regan is left with amnesia, and it might have something to do with the larger issues of the city.

It’s debatable in an ensemble cast whether anyone is a main character. I’m loosely saying they’re Regan and Evelyn, as a lot of the plot and scenes revolve around their stories, even if they’re from someone else’s perspective. But other characters also have large roles, so it’s open to interpretation. This is the second edition of the book.

Regan ends up with amnesia early in the story. It’s a good handling of amnesia in general, such as Regan processing how he feels about not remembering anything, and the way the memories trickle back. If he did have his memories, the plot wouldn’t be solved in five seconds, so it’s not used in that way. The personal impact of not remembering things like his family is the primary focus.

What I wasn’t fond of was the reason for the amnesia, because it’s caused by Hans. I disliked the scenes he was in and hoped they’d be over quickly, which unfortunately, they never were. One issue is that Hans has mind powers which mean he can give people amnesia, control their minds, and is generally unstoppable. Which makes it hard for other characters to stand up to him. Hence when he’s in a scene, it’s all about him, and it’s not going to end quickly.

Part of Regan’s struggle to remember his past reveals he may be asexual, as he realises he doesn’t find others sexually attractive. He’s also a lizard person with PTSD and anxiety.

Evelyn is a superhero with singing powers. She’s a trans woman and is in a poly relationship with two other women. I’m assuming she’s non-white as her skin is described as brown. One of the things she has to face is her past. She left her birth family behind, but ends up having to return. Evelyn is misgendered by one of her family, though these scenes are brief.

There’s a lot of diversity in the cast, including a non-binary person with they pronouns, someone with a double leg amputation, and multiple non-white people (though I was uncertain of exact races). PTSD is common, along with anxiety and depression. There are some references to suicide as part of this. It’s not clear whether the characters in relationships view themselves as gay, lesbian, bi, pan and so forth. Regan’s sexuality is the only one explicitly discussed. However, the relationships tend towards same gender or binary gender with non-binary.

Some of the books I’ve had recommended to me as lighter queer reads have turned out to have a constant threat of sexual violence. This one was noted to be somewhat darker, but it managed to avoid that particular issue. It has general violence, but that violence doesn’t focus around sexual violence.

On the issue of darkness, the characters may be living in a disaster zone, but the end tends towards the hopeful rather than the tragic. Named characters have a very good chance of survival. Unnamed characters may not be so lucky.

I enjoyed a lot of things about the book. Parole is an interesting setting and it was good to find out more about the mysteries surrounding it. There’s a lot of character time, as the characters talk and figure things out. I did feel it got confusing towards the end, in terms of exactly what was happening, and everyone’s locations. I also really didn’t like Hans, particularly because his powers made it hard for anyone to resist him. But my criticisms are minor, and for the most part, I’d be interested in seeing where it goes next.

Sea Foam and Silence – Lynn E. O’Connacht

Sea Foam CoverFirst Published: 9th June, 2016
Genre: Young Adult Fantasy / Verse Novel
Available: Amazon.com | Amazon UK

A little mermaid watches the tall-crabs and starts to think they might be people too, but heading to land to find out will come with a cost.

This is a retelling of The Little Mermaid written in free verse. It’s hard to judge length with long poetry, but the book is around novel length. Fewer words on each page means it’s a relatively quick read.

The mermaid is set the deadline of a year to find love or be turned into sea foam. There are three main sections, with the first covering her life at sea, the second the time up to the deadline, and the third the time after. I liked that it didn’t only focus on the time on land looking for love. It allowed the contrast between life as a mermaid and life on land to be clear, as well as considering new challenges once the initial situation is resolved.

The mermaids were distinctly mermaids, rather than feeling like the author wanted to write humans with a few references to having a tail (which is unfortunately what too many mermaid stories end up doing). They live in a group of sisters, though it’s noted some become fathers during mating time. Among mermaid culture, it’s not considered odd that some don’t take direct part in mating. It’s only on encountering human culture that things start to get complicated, with human concepts of love, marriage and gender. Hunting humans for food is a stable part of their lives, which the little mermaid starts to challenge, but it isn’t portrayed in a binary good and evil way. The same goes for the witch who makes the bargain that gives the mermaid legs. The witch obviously has an agenda of some sort, but what that might be is ambiguous. It’s not a story with a villain, but one that deals with the more everyday difficulties of finding a place in the world.

The goal of finding love is difficult as the mermaid is confused about what that means. There are conflicting messages between all love being love and romantic love being the only one that counts. The narrative falls on the side of love being love in any form. There are also differences between human cultures in how things are viewed, rather than making this only a mermaid versus human issue.

Though it’s clear that the mermaid is asexual, I was less certain about how she viewed romantic attraction. It’s debatable where she falls on the romantic / demiromantic /grey-romantic lines, but she did appear to only potentially consider people that way after knowing them. There is also an aromantic asexual character and a lesbian, along with a polyamorous queerplatonic relationship being shown.

Every step she takes on land causes pain, so she has a fantastical chronic pain condition. At first, this means it’s difficult to walk, but she slowly adapts to the pain. It was good that there’s no magic cure here, though I would have liked to see her having bad pain days when she couldn’t do everything she wants to do. It’s not that it’s unrealistic to adapt to a certain level of pain or to find some things distract from the pain, but even the best pain management scheme will have times when it doesn’t work out.

She is mute and learns sign language to communicate. There’s one instance where someone expresses frustration at her not being able to speak verbally. This is in part because her early sign language is fairly crude and that makes communication difficult, but it’s still a moment I found jarring. I did generally like the sign language though, as well as the use of emoticons in places to convey facial expressions.

There’s a reference to people having different skin tones, but the main characters appear to be white. The mermaid doesn’t have much of a concept of race, so most descriptions are vague.

This is an enjoyable book with a focus on the issues of finding a place to belong. The free verse style works well to portray how the mermaid thinks and her confusion as she tries to figure things out. The chronic pain aspect is where I think it could have used a bit more exploration. The asexual and aromantic aspects were the strongest. Overall, this is worth a read for anyone who loves mermaids and verse novels.

The Light of the World – Ellen Simpson

Light of the World CoverFirst Published: December, 2015
Genre: Urban Fantasy / Novel
Available: Amazon.com | Amazon UK

Eva is coping with the loss of her grandmother, Mary. When she finds Mary’s teenaged diaries, she has a mystery to unravel about a girl called Wren and the light of the world.

This wasn’t quite the novel I expected. It sounded like it’d be more epistolary, but the diary entries and other documents are scattered through occasionally. It’s mainly a standard narrative in structure. What I did expect were the two contrasting love stories. One is in the past, as Wren and Mary fall in love at a time when such things weren’t very public. The other is Eva meeting Liv, who works at a local bookstore. Along with Liv, the other bookstore workers are Theo (the owner) and Al (his son), who help Eva uncover more information about her grandmother.

Eva is depressed and has previously attempted suicide. The early part of the book is the hardest to read from this perspective, as her family did not react well. They fell into labelling her as selfish and cowardly. As it begins at Mary’s funeral, and then sorting Mary’s apartment with Eva’s parents, there’s no rest from this atmosphere. It makes Eva think about her suicide attempt, and also means Eva isn’t exactly the best version of herself. She’s very judgemental and quick to anger at the people who attend the funeral. Once her parents disappear off, things do calm down. Eva has her own space and isn’t constantly being forced to push back against her family’s reactions.

There are things I liked about the handling of depression. Medication is shown as something positive, rather than something to be avoided. Eva isn’t a different person when she takes it. She’s just a person who is better able to cope with daily tasks. There’s also discussion of generational differences in handling depression. Her older relatives don’t like to talk about such things and certainly wouldn’t want to admit they needed help.

There are some relationship hierarchy terms used with Mary and Wren, such as debating whether they are more than friends. Overall though, the narrative doesn’t devalue friendship. It’s not all about Eva falling in love with Liv. It’s important that Liv and Al are Eva’s friends. Eva’s time at the bookstore is about finding a support network, and overcoming her past issues making friends, rather than being a story about romantic love conquering all. This is a refreshing change from books that jettison all other relationships once the romance starts. Also, none of the relationships mean she suddenly doesn’t have depression anymore.

The identity of people in relationships is left open in some cases. Eva is bi (stated directly) and Liv appears to be a lesbian. But Eva is hesitant to assume an identity for Mary or Wren. At first, I wondered if this was going to be about not liking labels, but it was more that Eva acknowledged it was hard to know how people in the past would identify, and easy to erase by assuming. An example would be bi erasure by assuming Mary must be a lesbian based on one relationship.

There are a couple of Jewish supporting characters. The first, Elsie, is from Mary’s diaries. There’s very little about her, other than she seems something of a social rebel who doesn’t feel like she fits in the Jewish community. The other is Al from the bookstore.

Al has a grandmother from Ethiopia, who moved to Israel, then to the USA. She married an Ashkenazi Jewish man. The other side of the family are white. He’s described as someone who is clearly non-white, though in an ambiguous way. He’s Jewish in a casual does-the-major-holidays way. A more complex mixed race identity is a realistic thing that doesn’t get touched on much in fiction. However, it does come with a few microaggressions, like Eva assuming his family aren’t from the US (the “where are you from” discussion gets old really fast), and making special note of how his skin looks in the dark whenever the lights go out.

Religion and belief are mentioned, though the narrative doesn’t confirm or deny any particular religion. It’s more that the light of the world has been mentioned in many cultures, sometimes with religious connections. Eva’s family is agnostic from a Catholic background. She’s generally open to believing stuff and not hostile to people from other religious backgrounds.

The pacing didn’t entirely work. The beginning moves slowly, only really getting going once Eva’s parents leave her alone. The end moves very quickly, skipping over scenes that would have explained a lot. An example is Eva is apparently told something of the origin of the light of the world in a conversation, but this conversation is not shown. Instead, she offers the reader a few words to sum it up. I’d have liked to read that conservation, as it sounded important.

A few things didn’t work for me. The light of the world is repeated a lot, to the point of it being distracting. Using gross to describe women in relationships wasn’t something I liked, though I acknowledge there may be cultural differences in this being used as a cute saying between friends. Gross really only ever means bad things to me. The pressure to drink alcohol from Liv also stood out. She doesn’t consider reasons why Eva wouldn’t, other than age, and presses Eva about why she hasn’t been to such places. In Eva’s case, the main reason was social isolation, but there are a lot of reasons why someone might not drink or want to be in places where alcohol is served. There wasn’t much pushback about this in the narrative.

I enjoyed this more by the end than I thought I would. I didn’t like Eva’s early interactions with her parents, but there are fewer of those as it gets going. I did like her finding support with the bookstore crew. It’s a quieter take on urban fantasy, with a focus on personal stories and how the supernatural elements impact them. Note that it does describe suicide and that the historical love story is tragic. However, the book’s present is a lot more hopeful.

[A copy of this book was received from the publisher for review purposes]

I Don’t Like Reading – Lisabeth Emlyn Clark

First Published: 21st August, 2017
Genre: Children’s Contemporary Fiction / Picture Book
Available: Forthcoming

Harry doesn’t like reading, because he finds it difficult. It turns out he’s dyslexic.

I wanted to read this picture book as I’m dyslexic, so I was interested in how it presented that. This is the new edition of the book. The old one has a boy called Lloyd, so they’re easy to tell apart.

There were things that I related to in the book, like the worries about reading out loud, and the difficulty of trying to write things down. I also benefit from tinted backgrounds for reading (yellow/tan is my preference). But some issues meant it didn’t really feel like the story was for dyslexic children. The pacing is one of the issues. Someone struggling to read needs something to hook them very quickly, which doesn’t happen here. The build is slow and is likely to frustrate a child who finds reading difficult. Seeing multiple layers of teachers and specialists may be realistic, but it would have benefited the pacing to go straight to Harry meeting the final one.

The layout also reinforces my feel about the intended audience. Some pages are fine, but some have weird writing where all the fonts are mixed up. The words sometimes overlay pictures and appear in odd places on the page. It looks like an attempt to show non-dyslexic people what reading might be like for dyslexic people, which is not helpful for a dyslexic reader.

Some wording choices gave this the feel of something written by an educational specialist aimed at non-dyslexic parents of dyslexic children. One is referring to dyslexia as having a dyslexic profile, which sounds very clinical. Another was Harry’s comment that he was told “it just means I have to try harder”. It’s not unusual for non-dyslexic adults to tell dyslexic children that they’re lazy and aren’t trying hard enough. I cringed when I hit that part.

There’s a repeated statement about it being okay because dyslexic people can be clever and successful. Harry is said to be a very clever boy. This falls into the idea that disability is great as long as it’s offset by being exceptional. This is not a comfort for the dyslexic child who is not exceptional.

I also would have preferred an ending that showed things improving for Harry, but not looking like a complete solution where he can read with no problems. I was around fourteen before I finally got the hang of spelling. I was in my mid-twenties when I figured out organisation and study skills (a lesser discussed aspect of dyslexia, as it doesn’t impact young children). It was my late twenties before I reached the point of being able to write at a professional level. Today, I still need regular reading breaks and I still hit writing I just can’t process. There does need to be a balance between encouraging dyslexic children that they can learn things and minimising their problems. It’s a long road, and even when we’re great at reading and writing, it doesn’t mean we’re not dyslexic anymore.

This book tries very hard. It’s clear research went into things like how words could look to a dyslexic person and reading strategies. It shows finding things that work for Harry, rather than stating there is one method that works for everyone. But it feels too much like it’s a book aimed at adults who think it’ll be educational, rather than one for children. The layout choices are a dyslexic nightmare, but may also be a struggle for other children who are still learning to read.

[A copy of this book was received from the publisher for review purposes]