Book Launch: Everyday Aliens (Flash Fiction Collection)

My new flash fiction collection is out! This is my first book in some years, for reasons I’ll discuss below. Briefly, it’s about aliens and it’s flash fiction. Visit the official book page for all the buying links. There are promotional posts on Bluesky and Tumblr if you’d like to signal boost them.

 

Book Description

The everyday lives of aliens are explored in this collection of flash fiction and poetry. An amoeboid shares recipe tips. Cartwheeling worms carry messages across the desert. A living planet has suspicions about a new moon. Humanoid aliens fade into the background as the truly alien aliens take the stage to tell their own stories.

This is a novella-length collection and includes some non-fiction notes and citations at the end. There are various speculative genres included, not just science fiction. Most of the stories were first published in this book. Two were published in 2024 in Second Life (“Almost Eggs” and “The Sincerity Of Kindness”). And one was very old (“Radial Loop Fire”).

The cover of EVERYDAY ALIENS by Polenth Blake is on a black background. The cover has a complex doodle of alien life in rainbow colours on black, drawn by the author. Captions pointing at the book cover read: Xenofiction, Weird, Flash Fiction, Citations, Speculative Biology, Slice-of-(Alien)Life, Poetry, Starfish Aliens and Very Alien Aliens. A caption points across the cover to the worm which reads: Fred.

 

Questions

How long are the stories? Between one word and one thousand words (including subtitles in the count, but excluding the main title and scene break markers).

Are there humans? All the stories are from the perspective of aliens. Three stories feature Earth life as well. One of these has humans. So, yes, humans exist in the collection’s multiverse. It’s just not about them.

Are the characters QUILTBAG? The main characters aren’t human, so don’t have experiences that exactly match what we’d call queer. In their own contexts, some are going against assigned social roles and assumptions about relationships. One is clearly intersex based on the usual lifecycle of that species. In the end, this was written by an aroace non-binary person, and it shows.

What’s with the square brackets? That’s intentional. [a mystery]

 

Themes

Some years back, I wrote a story called “Radial Loop Fire” for Patreon. It was in response to people saying they wanted aliens who were very alien. So they got a story about the lifecycle of a crawling alien who communicated in songs of three words. It was designed to be printed on a cylinder with no true beginning or end.

Coming up with a collection gave more space to try other ideas. I looked up various planets, such as hot Jupiters and carbon planets. I considered what aliens would be like in universes with magic and things like that. I made aliens inspired by various known life and some that people might not think about as living.

It was also a place to experiment with story structures. There are 6-words, 50-words, 100-words (drabble), and 369 (3×69-words) stories. I wrote a story in fourth person (in the indefinite sense, though there are some “we” stories as well). One is formed from pieces of code.

There wasn’t a lot of point in trying to be marketable with the concept, so I didn’t. If I wanted to write it, I gave it a go.

 

Process

I published Werecockroach in 2018. The next couple of years were heat waves and family deaths, but I’d hoped to get some writing done in 2020 as things settled. Instead, I ended up catching COVID-19 in February and was left with long covid. I wrote very little.

It took a lot of healing before I could really write again. Even then, long projects were just too daunting. But as I healed, I started thinking about aliens. The next thing I knew, I had a basic outline for a collection and was writing stories.

I’m not new to flash fiction. My first pro sales were flash fiction and people used to call me a flash fiction writer. Until I sold a few longer short stories and wrote a novel. It turned out to be a length that worked very well for a recovering brain. It meant I could split a larger project into very manageable lumps.

This isn’t a project I’d have done for the goal of selling things. Flash isn’t the most popular format. Nor is weird stuff from alien perspectives. But my priority wasn’t sales. It was simply finding something I could finish writing. That was freeing in a way, because it meant my main worry was getting it done to my satisfaction. Not whether someone else would like it.

The good news is this worked. Five years after getting sick, I’m here with a finished book.

An Alphabet of Embers: An Anthology of Unclassifiables – Rose Lemberg (editor)

Alphabet of Embers CoverFirst Published: 6th July, 2016
Genre: Speculative Fiction / Short Story Anthology
Authors: Emily Stoddard; JY Yang; Sara Norja; Nin Harris; Greer Gilman; Kari Sperring; Mari Ness; Nisi Shawl; Zen Cho; Yoon Ha Lee; M. David Blake; Celeste Rita Baker; Alvaro Zinos-Amaro; Nolan Liebert; Mina Li; Shweta Narayan; Ian Muneshwar; Sheree Renée Thomas; Khaalidah Muhammad-Ali; Tlotlo Tsamaase; Sonya Taaffe; Emily Jiang; Ching-In Chen; Arkady Martine; Vajra Chandrasekera; Amal El-Mohtar; M Sereno
Available: Amazon.com | Amazon UK | Gumroad

This anthology focuses on short work with a poetic feel to the writing. A few of my favourite short pieces were included as reprints. There are interior illustrations by M Sereno, which are a good match for the feel of the language, with intricate patterns and flowing lines.

The first of my reprint favourites was “Absinthe Fish” (M. David Blake), about fish who swim in absinthe and dream. It’s as surreal as that premise sounds. “Single Entry” (Celeste Rita Baker) is more of a traditional narrative, as it follows someone with a unique carnival costume. “The Binding of Ming-tian” (Emily Jiang) is a rather chilling piece that deals with foot binding. All three have unusual imagery and went to places I hadn’t quite expected, but in a way that is accessible for me.

In the new stories, I did particularly like “The City Beneath the Sea” (Sara Norja). It combined the mysteries of the sea with folklore passed down through generations.

Generally though, I struggled with the stories. I can’t say what happened in all of them. The ones with very long paragraphs were hard for me to follow, as it meant I skipped lines and reread lines, before giving up on the paragraphs entirely. The language choices in some of the stories also meant I didn’t understand what I was reading. I started out fine with the first few stories, but by the time I got to the end, I felt I was constantly behind. I got very confused about what went with which story. It was all a bit of a blur.

This doesn’t mean that the anthology is bad, as I have language processing issues. Someone who has studied English to a higher level, or has more of a talent for language, will likely find this a far easier read and be able to enjoy the imagery. I am not that person, so I didn’t get as much out of this as I’d hoped.

[A copy of this book was received from the publisher for review purposes]

Meaty Story in Nature

“Dead Meat” is in this week’s Nature. It’s out today in print and appeared on their website yesterday. Yay! [ETA: A number of people have commented that this is pretty graphic… I don’t react the blood quite that way, but if you do, be warned… the meaty part is quite literal.]

Link: “Dead Meat” at Nature

This story is a number of seconds. It’s the second story I’ve had published by Nature. It’s also the second I’ve had published about the arts in science fiction (the first was a horror story in ChiZine). There are times when it feels like people forget that drawing, singing and other forms of expression aren’t things that go away because we have nifty new gadgets. Odd considering creative writing itself is one of the arts.

That’s my thinky thought for the day. Mostly I’m in the yay space, so this is as about as thinky as I get.

Roses Story in Nature (Nature Futures)

My hard science fiction piece “War of the Roses” is in the current issue of Nature (Volume 467 (7316), 7 October 2010). At least, that’s what their website says and I’m going to believe them.

It looks like the story is available online at the moment, but I don’t know how long that’ll last as they’re not primarily an online market: War of the Roses

Back when I was studying for my ecology degree, Nature was one of those places trainee scientists wanted to get published in. Perhaps a paper about some amazing research into the sort of things ecologists research*. I probably wouldn’t have believed time-travelling future me if I said I’d get a piece of fiction published there.

At least fiction doesn’t need citations**.

* Usually stuff like measuring lichens and wading out into swamps to take insect samples. Ecologists are the hardy branch of biologists.

** Blake, Polenth, A Bunch of Random Stuff about Roses, Polenth’s Brain, 2010