After Earth

After Earth Cover (UK)** The review contains some mild spoilers, but not the major twists or ending **

Humanity damages Earth so much it isn’t habitable for humans, so they leave for a new world. This is attacked by aliens who track humans by their fear pheromones. But the aliens are beaten back after the emergence of Cypher (Will Smith) – a solider able to feel no fear, so he’s invisible to them.

As the film begins, Cypher is close to retirement, and has a strained relationship with his son Kitai (Jaden Smith). In an attempt to patch things up, he takes Kitai on his last mission, but the ship is damaged and crashes on Earth. With Cypher badly injured, it’s up to Kitai to travel through the wilderness and send a distress call. In the process, father and son have to face their differences.

 

General Thoughts

After Earth got very bad reviews, but the premise interested me enough to watch it anyway. I really enjoyed it. It’s not the action-adventure the marketing suggests, but a story about a father and son working through their issues (with some action backdrop).

There’s a lot of attention to detail in this. All the characters speak an invented futuristic accent, showing how language has continued to develop. The design of the colony avoids the excess and waste of the modern world, and their energy comes from turbines, as might be expected from a species trying to avoid making the same mistake twice. The changes in colour and texture of Kitai’s suit is also a nice touch.

Add in that this is a rare science fiction film where non-white/people of colour get the starring roles, and there’s a lot to like. This is not one of those futures where anyone brown mysteriously disappears, possibly because the aliens think they’re extra tasty.

 

Ecology

Earth is initially abandoned because humans made it uninhabitable (for humans). It’s placed under a harsh quarantine, which states that everything on Earth is out to get humans. I was worried when that was announced that it’d be like the King Kong remake, where animals attack humans in a single-minded way. But the quarantine is an exaggeration.

Given my interest in animal behaviour in films, I liked the different animal reactions. The spider Kitai first meets has no interest in him and doesn’t bite him. The first larger animal is checking to see if Kitai is a threat. Each animal has its own reactions, rather than being generic meatbags who want to kill all humans at any cost.

Reading Moby Dick, and the themes of hunting it contains, is used to overlay this. In the absence of humans, Earth is thriving, and species driven to near-extinction are abundant. The implication is the quarantine isn’t really to protect people. It’s to protect Earth.

As a criticism, I’d note that the timescale isn’t long enough for some of the adaptations shown to have evolved. Mimosa-like plant movement wouldn’t be a quick thing, for example. But it’s probably better not to overthink how the climate and ecology is really working.

 

Women

There are also scenes with Faia (Sophie Okonedo) the mother and Senshi (Zoë Kravitz) the daughter, but the primary focus isn’t on those relationships. In mild spoilers, because you find it out shortly after the opening, it’s clear something happened to Senshi. I felt the family reaction to this was good, rather than it being a throw-away tragedy to activate the plot. What I mean by this is the plot isn’t tragedy occurs so let’s kill aliens and never mention it again (looking at you, Starship Troopers film). It’s tragedy occurs and family has to deal with the emotional fallout.

That said, I wish we’d seen more of the Faia’s reaction to this. There’s hints she’s struggling to deal with it, but it’s not fully shown.

One common Hollywood trope is most side characters are men. There were women and girls in the crowds, but they didn’t get lines. This may seem a small thing, but it does detract from the realism.

If there’s a sequel, I hope they deal more with the family as a whole. And mix up the side characters a bit.

 

Disability

There’s a point when a solider who lost a leg in a previous battle thanks Cypher for saving him. This has good and bad sides. The good side is it shows the man is enjoying his life after becoming disabled. He’s genuine happy that he got to go home to his family. Life after disability shouldn’t be a rare protrayal, but it is. It’s often shown as a fate worse than death (and therefore death as a mercy).

However, the thing about wanting to stand to salute Cypher was rather over-hammed. He should have been able to stand with crutches, but he didn’t have any. I see how they wanted to link it in thematically to Cypher’s later injuries, but still… he could have had crutches.

 

Conclusions

I suspect some of the negative response was it not being as actiony as suggested. Someone expecting a kill-all-the-aliens war film will be disappointed. But I’m suspicious some criticism comes from the invented accent. People could think, “This accent is new to me. It’ll take some time until I’m fully able to get the tone of the speaker’s voice and notice small differences.” Or they could think, “This accent is weird. They must be terrible actors.” The latter is unfortunately the one people go for a lot of the time.

This isn’t hypothetical, given that people with composite accents in the real world tend to get those sorts of criticisms. Like the situation where Amal El-Mohtar’s accent was described as feigned and false.

However, if you like family tales with science fiction settings, an attention to detail, and Will Smith, you may well enjoy this film.

Book Launch: Rainbow Lights (Plus Cupcakes)

‘Tis the season for lots of sugar, as my collection Rainbow Lights is now live on Amazon. In celebration, I made cupcakes in rainbow cases and decorated them with a rainbow of sweets. Some might notice indigo and ink are missing from my collection colours, which was due to the availability of dyes and sweets. But the family aren’t complaining, as it’s all still sugar.

Cupcakes in rainbow-striped cases. Each row of cupcakes is iced in a colour. From front to back: purple, blue, green, yellow, orange and red. An assortment of matching coloured sweets is on each one.

In less sugary information, the book is a collection of fantasy and science fiction stories and poems (mostly stories). I have an official page on my site, which has the table of contents, links to any stories available free online (you can also read the first couple with Amazon’s look inside feature) and a comprehensive list of where to buy. Currently these are Amazon’s sites in various countries, but there will be other places later.

There’s also a page on Goodreads if you’d like to mark it for later, leave a review, or anything of that nature.

Dates and Deadlines

The date I originally set was 13th May, 2013. This was great, except I’d forgotten it was my parents’ ruby wedding anniversary, and I was down to cook a meal. (I remembered the meal, but not the date.) This meant the collection was pushed on a little way, but I didn’t miss it by much. The book went live on 23rd May, and I got down to making cupcakes on the 25th.

Future Plans

Currently the book is only available on Kindle. I’d like to get it up on Smashwords too. I also plan to make a paperback version, with charcoal illustrations inside. The paperback will take time due to the extra pictures, so I’m not setting a date. It’ll be done when it’s done.

There will also be a steampunk novelette in the future, and the family appears to have nominated me to make themed cupcakes for that too. I may have set a precedent here…

But now it’s time for me to drink tea, eat cupcakes, and start work on the next thing.

Rainbow Lights cover: a rainbow squid in chalk pastels, in a charcoal black ocean.

Yay!

Story at The Tomorrow Project

Happy Yellow StarArc (a new fiction magazine run by the New Scientist people) and The Tomorrow Project are running regular fiction contests. I entered for the theme ‘the future of pleasure’ and was a runner-up.

“Through the Hoops” follows Shaista and Rita Singh, as they practise a futuristic form of parkour / freerunning. You can read a free PDF version, and comment, on The Tomorrow Project website. Or check out Arc’s comments on their Tumblr.

Behind the story…

One of the question posed in the longer description was, What new games will we play?

When I got a 3DS for my birthday, one of the first things I found was Face Raiders*. The game displays the room around you using the 3DS’s camera, and adds on dimensional rifts and aliens to shoot. Augmented reality games interest me a lot more than virtual reality, because it’s not about locking yourself away in a pod somewhere. It’s about getting out and about, only with a slightly different view on the world.

So while thinking about augmented reality, I thought about what you could do in a game the size of a city. The idea of a giant platformer game, by actually having the skills to perform the jumps, was an obvious one.

This has additional conflicts, because the skills needed to navigate a city already exist. Neither parkour or freerunning proponents want it to become a competitive sport. It brings commercialisation and a change in attitude. But with some parkour / freerunning games already existing, it’s easy to see how they might be adapted for an augmented reality system, whether people like it or not.

Though gamers don’t always play by the rules…**

* More accurately, my critique partner found it, photographed himself very badly as the first alien, and then I took it back. I’ve refused to delete the bad photo. He’ll have to live with me shooting at him.

** How quickly can I kill all the Lemmings? How many Earthquakes does it take to destroy a city? How far can I run through the dungeon naked before a dragon eats me? Let’s lock all my Sims in a room and set it on fire!

The Memory Eater – Matthew Hance (editor)

Memory Eater Cover - Cartoon head with pink bird eating the exposed brain

First Published: 19th June, 2012
Genre: Science Fiction / Short Story Anthology
Authors: Myra R. Taylor; John W. Otte; Ken Liu; Matthew Hance; Joe DiBuduo; Kate Robinson; Mike Kozlowski; j l mo; Lisa Martinez; Nicholas Conley; Wesley Gray; Bob Simms; Lisamarie Lamb; Lauren Kocher; Nina Pelletier; Kim Charles Younkin; Holly Day; Alex Shvartsman; Cassie Davies; Chad Jones; Justin Swapp; DL Thurston; Vivian Davenport; Lauren C. Teffeau; Kathie Huddleston
Available: Amazon.com | Amazon UK

The anthology is based on the premise that unwanted memories can be erased by a machine. Themed anthologies can suffer from the stories being too samey, and that was a big problem here. I read the first couple of stories, but after that, I skipped and picked a few at random from the rest. I’d hoped to see more of a range of situations, but the ones I chose all read as though they were set in near-future America, and focused on a heterosexual relationship problem. One story had a gay man being murdered for getting in the way of a different sex relationship, which is a negative trope I’d rather not ever see again, especially in an anthology with a heterosexual focus.

It’s possible there are some standouts in the ones I didn’t read, but I had no motivation to give the rest of the stories a chance.

When I first reviewed this, I said the stories were anonymous. Author names and bios are in a list at the back, but who wrote which story isn’t identified in the bios or on the stories. This was unfortunate as a reader (as I do like to know who authored a story, for better or worse) and bad for the authors themselves. I later realised there was a table of contents, but the book didn’t open to that page and it wasn’t the built-in table of contents Kindle recognises. All round, not a good way to format an anthology.

On the plus side, I didn’t see any issues in the editing and each story was illustrated. If you’re a fan of the themes I’ve mentioned, this might be for you.

Meaty Story in Nature

“Dead Meat” is in this week’s Nature. It’s out today in print and appeared on their website yesterday. Yay! [ETA: A number of people have commented that this is pretty graphic… I don’t react the blood quite that way, but if you do, be warned… the meaty part is quite literal.]

Link: “Dead Meat” at Nature

This story is a number of seconds. It’s the second story I’ve had published by Nature. It’s also the second I’ve had published about the arts in science fiction (the first was a horror story in ChiZine). There are times when it feels like people forget that drawing, singing and other forms of expression aren’t things that go away because we have nifty new gadgets. Odd considering creative writing itself is one of the arts.

That’s my thinky thought for the day. Mostly I’m in the yay space, so this is as about as thinky as I get.